Memories from Krishna Bharatham, our previous Dance production which took stage at the Esplanade, Singapore on 8 April 2012.
Parasparam is very important to me. Even in relation to trees. In observing the child ( I believe he was referring to the dancers) their faces bloom a different way when we melt their hearts. (wow!)
Sometimes you forget why you are an artist. What is your duty as an artist? And it’s a journey. Just need to remind you not to hurt anyone. That will remain in your dance-- Sheejith Krishna
Living outside India and having that connection to your culture is a satisfying experience. I feel fulfilled. And it goes beyond learning and this experience with Krishna BhAratham. I now can’t see my life without dance. It has gone beyond being a hobby to now becoming a serious part of my life.
Sifas is like home to many of us.
We have been learning at this institute since a young age and have seen many great teachers come and go. However, life-long friendships are fostered in SIFAS and such productions are a way for us to catch up and grow as artistes--Jivanaah
- Krishna in Mahabharatha: note by Choreographer
Unlike the human actors in the scene, Krishna can see beyond temporal and material realms, but in no way does this vision allow him to step back, or to be a mere spectator. Vyasa's Sri Krishna is one whose participation is integral to the action. He is a vital presence whose intervention allows Dharma to ultimately prevail.--Sheejith Krishna
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